webpage: http://www.dementlieu.com/~obik/ email: obik@dementlieu.com [OBIK: I have no clue where I got this interview from. I tried to contact Don Sabater without any luck.] The Press Below is an old interview with NYC's the PRESS, one of the USA's first authentic Oi! bands. THE PRESS hold a special place in my heart as one of my all-time favorite Oi! groups because their singer, Andre S., was one of the first skinheads with openly socialist beliefs I ever met (back in 1988). Prior to that, I didn't know it was possible for a skinhead to hold left-wing views! (being more familiar with the usual right-wing, gaybashing knuckleheads my own age at the time). In 1988, André considered himself sympathetic to the British SOCIALIST WORKERS? PARTY (no doubt due to their connection to the REDSKINS, one of his favorite bands, along with Aussie power-rock gods AC DC!). I remember him and the band getting a lot of shit for this stance, being a part of the extremely violent and reactionary NY skinhead scene of the late 80's (YDL ring a bell, anyone?!!). Frequently, right-wing knuckleheads would try and ruin their shows or attack the band members in the streets and in bars. While the PRESS did not consider themselves an overtly political band, with songs like "Revolution Now" and their high-profile connection to the original SHARP [OBIK: SkinHeads Against Racial Prejudice] movement it's fairly obvious where they stood! Their live shows were some of the most energetic I've ever seen, with a hundred anti-fascist skinheads singing along to every chorus (including the first SHARP benefit concert, along with the RADICTS, SKINNERBOX, the SKA-DANKS and NOBODY'S HEROES!). At 15, it blew my mind! And their only full-length record (Punks and Skins Vol. 5, a split with the RADICTS) stands as one of the most well-played and intelligent Oi! albums of all time! Every tune a working-class anthem! Cheers to the PRESS, for their contributions to American Oi!, the 80's SHARP movement, and though they didn't mean to do it, the birth of RASH [OBIK: Red and Anarchist SkinHeads]. Who knows where the skinhead scene would be without them. Nice one lads! Dan/LIFE'S A RIOT Interview excerpted from DOUBLE BARREL #1 (May/June 1989) (First ever SHARP skinzine, published by SHARP-NYC) Transcribed 1/98 by Dan Sabater (lariot@rocketmail.com) [OBIK: The email address doesn't work, I tried it.] The PRESS were interviewed April 22, 1989 at Giant Studios, New York City. Jim Marshal: Bass John M.: Guitar (JO) Rob Rodriquez: Drums and Percussion Andre: Singer and Songwriter (AN) Jordan: Guitar (JR) DOUBLE-BARREL (DB): Let's have a band bio. From day 1 to present AN: Back when I was in Montreal there was a large Oi!/Ska scene and I was hanging out with the Skinheads up there and getting in on their scene. Bla Bla Bla. I had been hanging out with Skinheads in NY and it was really kind of nowhere as far as the Hardcore scene (don't know about that!-Dan/LARIOT). The only Ska scene was sort of centered around the whole Mod thing. So " I Had A Dream" that I could form New York's one and only Oi! band. DB: When was this? AN: This was back around 1984'something like that. That's back when I started putting up PRESS stickers (Jackhammer skins w/crossed hammers and torch). DB: How did you come up with the name? AN: At the time I worked in a factory as a power press operator. DB: Who was in the original line-up? AN: It was me on lead guitar and vocals, Jimmy on Bass and Bob on drums. That was the original line-up of the PRESS. We recorded "Just Another Warning" with that? ROB: No it wasn't? AN: Oh, right. Jim was in the band before that but he quit and was replaced by Giddian Greenburg and we recorded "Just Another Warning" for the MOON RECORDS? "N.Y. Beat" comp. With the TOASTERS and all those other bands. Giddian was booted out and I crawled on my hands and knees and asked Jim to come back because we needed a harder unshaped touch. Then we recorded 3 songs for this drug-addict engineer and sent it to Oi! RECORDS but since Roddy thought we were a Mod-band he didn't want to release us. The engineering was real weak. When the guy mixed it he left no rough edge at all to it. When we play live we have a big rough edge, it sounded too clean. It was produced by Rob Hingley (Bucket of the TOASTERS) too and that probably had a little bit to do with it. JIM: The band's been around for a long time now like about 4-5 years or so but we never played any shows or nothing because we didn't have our shit together when it came right down to it. Once we found the right people we started playing gigs, everything happened. JO: Me and Jordan! DB: When did you start bringing other members into the band? AN: We started playing shows about a year ago and that's when we started getting extra people. We had our first outside guitar player. We played our first show on I think Feb 18th? ROB: Feb 10th. AN:At CBGB's at a fucking "Scum-rock fest" (booked by TC?- Dan/LARiot) and we were the best band. DB: How did the punks react? AN: They were shocked at our cleanliness (laughter) and our playing ability. DB: What did they think of a skinhead band at a "Scum-rock fest"? AN: I guess that because of the image of the rest of the Skinheads in New York City they probably thought we would be typical but when they realized that we were cuts above the rest and they were very taken back. DB: OK. John when did you get in the band? ROB: Wait, I'll tell you how John got in the band. One Saturday Jim and I were hanging out drinking some beer and listening to tapes of my old band (I was in a band with John). And Jim really liked it so we called John up at like 2 in the morning and asked him to rehearse. JO: Woke my ass up! I said "Yeah, let's give it a shot". ROB: "But it has to be a private audition". JO: About three years ago we (Rob and John) were in the same band called SDP (NY Hardcore). AN: As a matter of fact, that's where I met Bob and I met John even before that. DB: Jordan seems to be the "late-comer" to the band. When did you come in? JR: November 1988. That's when things started picking up (laughter). DB: Why a second guitar? JO: Every band I've ever been in I've always been the only guitar player and I was never into playing with 2 other guitars 'cos you're always fighting over who does what but we decided that we wanted a guy to play strictly rhythm so it doesn't drop out when we go into lead breaks and so the sound would be much thicker. The first time we played together we sounded great. AN: We wanted that steam roller sound. That's what we got. DB: You sent the tape to Oi! RECORDS, Roddy heard it, then what? AN: Roddy heard it and he liked it but he thought we were a Mod band? JIM: He just sort of forgot about it. Then when he came over here, he heard us and saw what we were all about. Y'know, he liked it and then he heard the RADICTS and he said to "send a tape and I'll put out a record". DB: Did you know Roddy before that? AN: We met him through Rob Hingley of the TOASTERS. And he said he wanted to get him off his couch so I sent him to the RADICTS. Then he left 3 days later. He missed his wife. DB: It'll be "Punks and Skins Volume" what? AN: Volume 5 DB: Coming out when? AN: It probably won't come out till June now. DB Note: It seems that customs is holding the tapes at the airport because there is a thousand dollar insurance policy which leads them to believe that there may be something of value which may be resold over-seas, which is highly discouraged) DB: Let's talk a bit about politics. I know you'd rather not but, There is a rumor (mostly amongst Boneheads) that the PRESS is a "Commie band". Has it kept many people away? AN: Well it hasn't kept too many people away because we've had a lot of people at our shows. And if it keeps the Boneheads out then I'm happy. (The band agrees) AN: We're not a political band. We're not making a political statement. I might make my feelings known in certain songs but I don't see them as being big statements or anything. JO: I think it's the old drawback on because we're different then them then we're "Commies". AN: Yeah, we're not out bashing "faggots" and Y'know, all this white power shit, so we're soft. Then when they see us they realize that we're not soft so what are they gonna say? Oh "They're Communists, They're Stalinists" and we're pressing this shit on people. I'm the only one who's into Socialism or labor politics or anything like that (in the band). I don't think these guys really care. ROB: Or know what it is (laughter). AN: What we're about is we drink a lot of beer, we're into Oi!, Reggae, Ska? ROB: And we support the most capitalist company in America (holding up a bottle of Budweiser). AN: Yeah, we're playing a $350. Show and if one came up for $400. Then we'd take it. DB: What are your musical interests (outside the band)? JR: Individually? DB: Yeah, let's start with you Jordan. JR: MADNESS, the 4 SKINS? AN: The musically better Oi! like COCK SPARRER, the UPSTARTS, the TOY DOLLS I like 'cos they make me laugh. JR: STIFF LITTLE FINGERS AN: Right, things like that,The CLASH. JO: These guys named all the bands that we are influenced by, but outside of the band influences range from Motown, early Ska? AN: A lot of early Ska. A lot of TROJAN hits. DB: You mention Boneheads and White-power skins. I know you're involved with SHARP. Let's hear a bit about that. AN: Yes, we see ourselves as being instrumental in the promotion of the organization only because we believe strongly in what we feel the organization should stand for and DOES stand for, and what the other people in the organization stand for. We'll back it up musically and support it in any way we can. DB: How do you (as a band) see the Oi!/Skinhead scene going? AN: Every show we play we see more Skinheads, more punks, more "Regular" kids who are just into being kids. More SHARP members, more from other anti-racist organizations coming to the shows. Interest from record companies, the whole deal, It's just getting better. (The PRESS have played a few reunion shows in the NY area in the last 4 years, including one at the now defunct GAS STATION in 1994. Hopefully we?ll be hearing more from these fellas again soon!-Dan)